• HOME
  • TOUR
  • ABOUT NIC
  • HENRIK IBSEN
    • PEER GYNT
  • NEWS
    • LINKS
    • PRESS
  • REVIEWS
  • INTERVIEWS
  • CONTACTS
The Norwegian Ibsen CompanyThe Norwegian Ibsen Company
The Norwegian Ibsen CompanyThe Norwegian Ibsen Company
  • HOME
  • TOUR
  • ABOUT NIC
  • HENRIK IBSEN
    • PEER GYNT
  • NEWS
    • LINKS
    • PRESS
  • REVIEWS
  • INTERVIEWS
  • CONTACTS

Ibsen Plays

The Lady from the Sea at Print Room at the Coronet

Dec 3, 2018

The Norwegian Ibsen Company & Print Room at the Coronet present
The Lady from the Sea by Henrik Ibsen

In a new version by Mari Vatne Kjeldstadli
Based on the translation by May-Brit Akerholt
Directed by Marit Moum Aune

The Print Room at the Coronet are joining forces with the Norwegian Ibsen Company for a new production of Henrik Ibsen’s timeless story of self-determination. With creative teams from UK and Norway, this new staging brings with it a deep connection to the Norwegian culture in which Ibsen lived.

“Exhilarating… this is Ibsen with the gloves off”

The Guardian on the National Theatre of Norway’s Little Eyolf at the Print Room

Ellida, a lighthouse keeper’s daughter, was born where the fjord meets the ocean. Now trapped in a difficult marriage to a British doctor, Ellida longs for the open sea. Will the return of a former lover offer her a real choice?

A story of self-determination, modern families, loving other people’s children, and always looking for the perfect relationship, The Lady from the Sea was shocking in its challenge of societal norms when it premiered in 1889.

To mark the 130th anniversary of  The Lady from the Sea, we’re thrilled to be collaborating with the Norwegian Ibsen Company for this new staging, which brings with it a deep connection to the Norwegian culture in which Ibsen lived: from its close relationship with nature, to the effect of the midnight sun on its inhabitants in the far north.

With performers and creatives from both UK and Norway, The Lady from the Sea follows the Print Room’s hugely successful 2018 collaboration with National Theatre of Norway and in co-operation with The Norwegian Ibsen Company, Little Eyolf, with many of the team returning for this shattering new production.

Both Norwegian and English will be spoken during the performance, with English surtitles for the Norwegian sections.

8 February to 9 March 2019

www.the-print-room.org


Little Eyolf to open in London

Feb 4, 2018

The Norwegian Ibsen Company has started a co-operation with The Print Room theatre Coronet in Notting Hill, London. The first production will be a visit from The National Theatre of Norway. This guest performance is funded by the InterNational Foundation.

This production of Little Eyolf has been on the repertoire of The National Theatre of Norway for three years to amazing reviews. The Norwegian Ibsen Company’s artistic director Kåre Conradi is a lifetime employee at The National Theatre of Norway and plays Alfred Almers opposite Pia Tjelta as Rita Almers. Tjelta is these days shooting the series BECK in Sweden where she stars opposite Kristoffer Hivju (Game of Thrones).

The visit of this powerful production to The Print Room also marks the beginning of a working relationship between The Print Room Coronet and The Norwegian Ibsen Company. Artistic Director Kåre Conradi has said at several occasions that The Coronet has many similarities to The National Theatre of Norway. The much needed yet very cool choice of bringing the Coronet stage up to the level of first balcony is something he would have loved to experience at The National Theatre of Norway if an opportunity was given. It brings an incredible intimacy into the grand atmosphere of a big classic theatre house.

Little Eyolf at the Print Room at the Coronet

The co-production from Norway also stars Andrine Sæther, John Emil Jørgensrud and Ine Jansen. Directed by the award winning director Sofia Jupither.

Thursday 19 to Saturday 21 April 2018. BOOK NOW! The Thursday performance is already SOLD OUT.

Print Room at the Coronet, 103 Notting Hill Gate, London W11 3LB.

Kåre as Peer Gynt in India

Nov 12, 2014

Kåre has just returned from the highly successful first Ibsen Theatre Festival in Mumbai, India.

Kåre Conradi

INTERVIEWS & PRESS:

www.mumbaitheatreguide.com

www.norwayemb.org.in

Kåre Conradi Photos: Helge Lien

Photos: Helge Lien

Kåre performing Peer Gynt in Mumbai

Oct 8, 2014

For the last two years, awake or dreaming, I have had only one thing on my mind-Ibsen. Immersed in adapting Peer Gynt in Hindi, my mind has been working on having an Ibsen Theatre Festival in Mumbai. Finally, Peer Gynt is ready as Pir Ghani and the date for the festival draws near. My dream has been realized.

Born under the Zodiac sign, Pisces, (a sign I humbly share with Henrik Ibsen), in a city on the outskirts of the vast, lonely deserts of Rajasthan, perhaps it was destiny that I would be drawn towards water, inspired by Neptune, God of springs, rivers and the seas. And as the Piscean dreamer, I have been initiated from birth into a world of fantasy, making my several worlds between deserts, water and mountains explode into another sphere of fantasy, the theatre.

Ila Arun

It was in this world that I came upon the work of Henrik Ibsen. Then in 2010, I was invited to adapt and direct a play by Ibsen for the DADA Festival in New Delhi. Somehow, I was fascinated by the possibilities that The Lady from the Sea offered, especially in the folk tradition. And that was the beginning of my ‘obsession’ with Ibsen. As I worked on the script, placing the story in the arid areas of Rajasthan, it seemed to me as if Ibsen in the 19th century in faraway Norway was addressing issues in Indian society! I could almost feel the relevance of Ibsen in our society even today and I realised that culturally and emotionally, Indians and Norwegians were not too far apart. Ibsen had managed to encapsulate our concerns– women’s issues, relationships, family ties in a changing society—with such skill and understanding, that each one of his readers could empathise and connect with his characters. The adaptation, titled Mareechika (Mirage) was a great success and I rode high on the waves that hit the shores of India and Norway, literally, since subsequently, thanks to the Norwegian Embassy in India, we actually crossed the seas to Norway as invitees to the Ibsen Festival in Oslo in 2012.

My love affair with Ibsen reached a climax when I saw that Ibsen was an icon for people from all walks of life. My horizon expanded and I realized that like Varanasi, Oslo too is a city of temples, its theatres, where people worship their literary gods in awed silence.

Like one obsessed, I saw everything associated with Ibsen and in that chill weather, I embraced him like a shawl, wrapping each memory into my very being. And in the course of my visit, I met three wonderful ‘Ibsen’ people—Kåre Conradi, Ruth Wilhelmine Meyer and Helge Lien. Their performances impressed me so much that I was determined to see these artistes perform before an Indian audience. Thus began the idea of an Ibsen Festival in Mumbai. Ruth is singing on Ibsen’s themes in jazz form while Kare will give an hour-long performance of Peer Gynt which we have seen him present at Oslo. It will be a challenge indeed for our theatre group performing “Pir Ghani” to witness his unforgettable performance.

We are indeed grateful to the Norwegian Embassy for making the Ibsen festival possible.

The first Ibsen Theatre Festival in Mumbai runs from 31 October to 2 November 2014.

  • 1
  • 2

Categories

  • An Enemy of the People
  • Edinburgh Fringe
  • Fjæreheia
  • Fjæreheia Amfi
  • Fjæreheia Amphitheatre
  • Ibsen Plays
  • India
  • Kåre Conradi
  • Karljohansvern
  • Kjetil Bang-Hansen
  • Little Eyolf
  • National Theatre of Norway
  • Norwegian Ibsen Company
  • Peer Gynt
  • Print Room at the Coronet
  • Radio 3
  • Rose Theatre Kingston
  • Shooting Hedda Gabler
  • The Coronet Theatre
  • The Lady from the Sea
  • The Wars of the Roses
  • The Wild Duck
  • When We Dead Awaken

Recent Posts

  • Premiere 19. Juli 2025
  • Critically acclaimed Ibsen success from London is staged for the first time in Norway
  • The Wild Duck – London rehearsals
  • Henrik Ibsens Brand goes gospel i Fjæreheia Amfi
  • The Norwegian Ibsen Company – An Enemy of the People

Follow us on social media

© 2026 The Norwegian Ibsen Company.